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Ouyang Xun Calligraphy

Information source: Time: 2020-02-21 02:45:20

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Ouyang Xun (557--641)
Jiucheng Gongquan Ming
This letter is from Linxiang (now Changsha, Hunan) in Tanzhou. Sui Shiguan, Dr. Tai Chang, Tang Shifeng has a higher rate for the prince, also known as "Ouyang rate". Because his son Ouyang Tong is also good at calligraphy, he is also called "Daou". Ouyang Xun's calligraphy enjoyed a high reputation in the Sui Dynasty. By the Tang Dynasty, Ouyang Xun, who was more and more ancient, was still teaching calligraphy in the "Hongwen Pavilion". Ouyang asks for both body and beauty, the rigor of calligraphy, the danger of pen power, and the incomparable power of the world. He and Yu Shinan are famous in the early Tang Dynasty for calligraphy, and they are called "European Yu".
The history book records that the calligraphy of beginners is very difficult. Legend has it that Ouyang Xun once bought the "finger map" used by Wang Xizhi's godson for heavy money, and worked hard day and night. Another time when he went out with Yu Shinan, on the way he saw a stele written by the calligrapher Suo Jing of the Jin Dynasty and sat down on the floor. After watching and studying for 3 days, he could see Ou Yangxun's deep love for calligraphy. Later, he extensively studied the inscriptions and stone inscriptions of the Northern Dynasties. At the same time, he learned the advantages of some local scholars, and then integrated into the spirit of Lishu, forming a style of "hard and dangerous, strict and strict." Later generations used their books to see the danger in the middle of the peace, and the easiest to begin with was called "European style" (also known as "rate more body"). His Jiucheng Palace's Quanquan Ming can be described as the pinnacle of the European style script; the main works include "Hudu Temple's Zen Master's Tower Inscription", Yu Gonggong's Wen Yanbo Tablet, "Huangfu's Birthstone" and "Dream of the Dream", etc. world. Because Ouyang Xun's calligraphy casts the characteristics of the regular script in Hanli and Jin Dynasty, he also combined the inscriptions of the Six Dynasties inscriptions. The main characteristics of Ouyang Xun's calligraphy style are rigorous, neat and flat. Although the glyphs are slightly longer, they are white in space, neat and rigorous, the middle palace is tight, the main pen is elongated, and it seems to be full of vigor, sparse and dense, ready on all sides, exquisite and vivid, and just right. With the combination of stippling and structural arrangement, it is flat and straight in the middle, and the font mostly expands to the right, but the center of gravity is still very stable.
Jiucheng Palace Wuquan Ming
11 pages selected
"Jiucheng Palace's Quanquan Ming" The original inscription in the regular script is in Jiucheng Palace in Linyou, Shaanxi.
"The Inscription on the Spring of Jiucheng Palace" was written by Wei Zheng. It records the incident when Emperor Taizong discovered the spring water in Jiucheng Palace. This monument was erected in the sixth year of Tang Zhenguan (AD 632). The monument is 2.7 meters high, 0.27 meters thick, 0.87 meters wide at the top, and 0.93 meters wide at the bottom. This stone is still alive, but too much chiseling is no longer the original appearance. The best copy of the handed down is the Song Collection of the old collection of Li Qi in the Ming Dynasty, which is now in the Palace Museum of Beijing. The body of the stele and the head of the stele are integrated into one, and the head of the stele is surrounded by six dragons. On the front, the six characters of "Liuquan Ming of Jiucheng Palace" are written. The monument has been damaged.
Linyou County, Shaanxi Province is 160 kilometers northwest of Xi'an. The Sui Dynasty built the summer palace, the Renshou Palace, and the Tang Dynasty was converted into Jiucheng Palace. At that time, the water source of Chang'an City was scarce, and the water in the palace relied on the river to “draw water up the mountain by wheels”. In 632 AD, when Li Shimin was walking in the shade of the four cities of Jiucheng Palace, he found that a piece of land was relatively moist, and there was water flowing out with a rod to guide it. So he dug the ground into a well and named it "醴泉", which means that water is as sweet as wine. Everyone was extremely happy and considered it a sign of auspiciousness. So Wei Zheng wrote the inscription, Ouyang Xun wrote and wrote, and the craftsman carved on the stone. Wei Zheng's inscriptions describe the grandeur of Jiucheng Palace, the greatness of Tang Taizong's dedication, the discovery of Wuquan, and its symbolic auspiciousness. In particular, the second half of the inscription is a political proposition that Wei Zheng used to administer the country, and it still has reference value. The famous sentence of "Yellow House is not expensive, the world is worried", "Ju Gao thinks of falling, and keeps overflowing" is from this monument.
"Jiu Cheng Gong Mingquan Ming" fully reflects Ou Yangxun's calligraphic structure is rigorous, round and beautiful. It is a monumental calligraphy with high solemnity and strictness. The strokes look square and round, and the structure is strict. Overwhelmed, left and right, partly dangerous and overall dignified, no disorder, no sag. The pen is square, compact, smooth and dangerous. Ming Chen Jiru once commented: "This post is as deep as a mountain, thin and cold, and full of energy, which can make the king bend his knees, but he can be driven by others." Ming Zhao Han's "Graphite 镌 华" called this monument " The first book. " "Jiucheng Gongquanming" is careful and rigorous with no pen. It is regarded as the "extreme rule of Kai calligraphy", that is, the starting point and end point of Kai script research, and it is a model for scholars of all ages.
"Nine Chenggong Palace Quanquan Ming" is a 75-year-old work by Ouyang Xun, which best represents his level of calligraphy. Xuanhe Book Genealogy is known as the "Crown of Han Mo". Zhao Mengfu said: "Qing He Xiu Jian, ancient and modern . "
Addendum: Please right click to download the full page [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [ 14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] [40] [41] [42] [43] [44] [45] [46] [47 ] [48]
Guidance for Jiucheng Palace's Quanquan Ming
Text Interpretation of Jiucheng Gongquan Ming
Huangfu's Birthday Monument
44 pages "Monument to the Imperial Palace", made by Yu Zhining, Ouyang Xunshu, Tang Engraving, Song Tuo collected by the Beijing Palace Museum, mounted in a volume of 32 pages, each page is 30.2cm in length and 16.4cm in width.
There are Zhang Zuyi and Zhu Yizhang's inscriptions, and there are 4 parties including "Yi Jianjian Zhi" and "Lu Jiang Liu Jianzhi Jian Tibetan Graphite". The word "service" for "participating in comprehensive maintenance" has not damaged the cost.
The inscription is 28 lines and 59 characters. 篆 12 words in Eyang. There is no date in the inscription. According to the predecessors, it was the time when Gao Zuwude was standing, also known as the beginning of Zhenguan. Song fashion was in the town of Xianning, Xianning. In Beiyin, there is the engraving of "Fu Wei Shi Yuan Yuan" written by Song Huangyou in three years (1051). The original pattern on the side of the monument has the title engraved on the right side of Song Dynasty. Later moved to Xi'an Fuxue Temple. In the sixteenth year of the Wanli Period of the Ming Dynasty (1588), Yu Junfang's study of the pavilion was overlaid, and by twenty-four years, the pavilion was interrupted, and the cross was damaged. Now in possession of the Stele Forest of Shaanxi Provincial Museum.
The calligraphy, pen, knot and glyph of this tablet have the style of Beiqi, with strong bones and strict rules. Ming Wang Shizhen said, "The book" The Imperial Monument of Emperor Fu "is even more dangerous than the other monuments. It originated from Yijia Lantai, but Lantai's" Dao Yin Bei "was approved with pen and pen. Home school too. "
Song Zhao Mingcheng's "Golden Stone Record", Qing Sun Chengze's "Gengzi's Sales of Summer", Zhu Feng's "Yongzhou Golden Stone" and other books.
Huadu Temple Monument
Tang "Hudu Temple Master's Tower Inscription" Song Tuo, Shanghai Library, National First Class Cultural Relic
"Inscription of the Master of the Zen Temple in Huadu Temple", written by Tang Libai Yao, and written by Ouyang Xunzheng, was engraved in Tangzhenguan for five years (631). Yuan Shijiu, Weng Fanggang's examination is 35 lines, 33 lines.
This stele calligraphy pen is strong and tightly structured. As early as "Jiu Cheng Gong", I wrote a book a year ago, so the styles are very similar, but the rigor is more than stretch. Yuan Zhao Mengfu commented: "Tang Zhenguan is capable of writing books, Ouyang is the best, and" Zhan Master Taming "is also its best." Weng Fanggang, a Jinshi family in the Qing Dynasty, highly praised the calligraphy of this monument and thought that it was better In "Jiucheng Palace's Quanquan Ming". Although the praise is too much, it can show that the calligraphy of this monument is unique.
According to legend, in the early Qing Dynasty of the Northern Song Dynasty, Fan Yong had seen the original monument of "Huadu Temple" in Nanshan Buddhist Temple, and was sighed with admiration. The monk in the temple mistakenly thought that there was a treasure in the stone. After the rebellion of Jingkang, the debris was broken. Several copies have been circulated in the Song Dynasty.
The Shanghai Library Collection (above), that is, the Sioutang version is a Tang Shi Yuan original copy, and a solitary copy at home. On the front of the book are Wu Hufan's "Kanbei Tu" and "Huadu Temple Stele". In the volume are inscriptions by Weng Fanggang, Luo Zhenyu, Wu Hufan, Paul Pelliot, Shen Yinmo, etc., Li Hongzhi, Zhu Xiaozang, Wu Mei, Jiang Zuyi, Ye Gongchuo, and more. A photocopy of the "Dunhuang Remnant" is also included at the end of the booklet.
This collection has been collected by Wang Ming (Meng Yang), Chen Bogong, Prince Qing Cheng, King Rong Jun, and Pan Zuyin. To Pan's, he was also the maiden's companion to Wu Jingfan's collection. Wu's combined this book with the three monuments of Song Tuo's book "Jiu Cheng Gong", "Yu Gonggong" and "The Birthday of Huang Fu" in a box called "Four European Secrets".
[Reference] Shanghai Library Website
Remnants of Dunhuang in the National Library of France (Thanks to book friend Longchi for providing)
National Library of France Number Pelliot chinois 4510
Site: Dunhuang Mogao Grottoes
Material: Ink on paper
Size (hxw) cm: 12 x 8.6
[Source] IDP International Dunhuang Project
Dunhuang Residuals in the British Library Others [2] [3] [4] [5] [6]
(Thanks to my bookmate mmyx509)
British Library Number Or.8210 S.5791
Collection agency and copyright: British Library
Site: Dunhuang Mogao Grottoes (Ch.)
Form: Book, Rubbing
Material: Ink on paper
Size (hxw) cm: 12.1 x 8.9
[Source] IDP International Dunhuang Project
[Appendix] Please right click to download other full texts page by page [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [ 13] [14] [15] [16] [17] [18] [19] [20] [21] Post [1] [2] [3] [4] [5] [6] [7] [8 ]
Yu Gonggong Wen Yanbo Monument
13 pages "Yu Gonggong Wen Yanbo Tablet", written by Cen, Ouyang inquiry book, Tang engraving, Song Tuoben collected by the Beijing Palace Museum, black ink fine, cut and mounted volume, 23 pages, each page 18.3cm in length and 9.2cm in width.
In the front, there are Wang Hanyun's signatures, followed by Chen Yi's postscripts and "Gongyan Treasures" and other seals. The word "high" for "蔼 蔼 高 门" did not damage the original.
"Yu Gong Gong Wen Yanbo Monument", full name "Tang Gute Jin Shangshu right servant shot on the pillar country Yu Gong Gong Wen Gong Monument", also known as "Wen Yan Gong Monument", was established in October in the 11th year of Tang Zhenguan (637), in Shaanxi Qiquan County. The inscription on the tablet is 36 lines and 77 characters. There are 4 lines and 16 characters in the amount. This monument is one of the memorial tombs of Emperor Tang Taizong (Li Shimin) of Zhaoquan, Yiquan, Shaanxi.
The calligraphy art of this monument is extremely valuable, and it has been highly praised by scholars of all ages. The Qing King Xuzhou Post said: "History says that Ouyang Xun died in Zhenguan. He was eighty-five years old. This inscription was the eleventh year in Zhenguan. It is the later work. The monument of the book is also eighty years old. Yuanxiu is very strong, and is not the same as "Quanquan" and "Huadu". It should be a Tang Dynasty and a model of EMI. "
Song Zhao Mingcheng's "Golden Stone Records", Ming Zhao Han's "Graphite Blooms", Qing Sun Chengze's "Gengzi's Sales of Summer" and other books.
Thousand characters
18 pages
"Thousands of Characters in Running Books" Collection of Liaoning Provincial Museum. (Photo courtesy of Nagata Sanren)
Ouyang's inquiry "Thousand Characters", which is found in a total of three books: one is "The Cursive Thousand Characters" known by Cai Xiang, the other is the "Script Thousand Characters" written by Yang Yang in the early Southern Song Dynasty, and the other is existing This thousand-word text. After the post, only Wang Xiba remained: "Dongpo Yun, Ou Yang rate the book more than risk, let alone wonder. At the end, after the fall of Li Guo's five masters, it is not allowed to be impeached. Fu Fei only loves this comment, He also loved the magnificence of his pen, and then took it from his master. The master has a good illness, and he is even more ill, so I take it without rejecting it. Jin Qingshu. "
Press: This book is very similar to the characteristics of the European characters in any way. Among them, the word "shu" is mistaken for "painting", while Li Yuan's word "yuan" lacks pen to avoid taboo. According to Chen Yuan's "Examples of Historical Taboos", those who avoided taboos and missing pens in the Tang Tablets were first seen in the first year of Gaozong Qianfeng's gift of "Tai Shi Kong Xuan Bei". Yang Renkai concluded that this post was written by Ouyang Xun in his early years, and it is even more unnecessary to avoid the word "yuan".
In referring to this post, Xu Bangda's "Ancient Records of Ancient Paintings and Paintings" pointed out that Huang Bosi wrote on Yu Shu's thousands of characters in the volume of "East View of Xu Lun" and said: "A volume is a collection of its characters." I do not know whether this volume.
Lower Case Heart Sutra
Ouyang Xun's lower case "Praj Pomero Heart Sutra"
The First Book of the World——Xuan Lanting
Emperor Taizong of Tang obtained the true meaning of Wang Xizhi's Preface to Lanting, and ordered Ouyang to consult Lintong, engraved the stone in the Academy, and extended it to his close friends. The Five Dynasties Liang moved the stone capital. Liao Yelu Deguang brought this stone to the north after breaking Jin, and Deguang died of illness halfway, and the stone was abandoned to kill the tiger forest. During the Song Qingli period (1041-1048), the monument was discovered and placed in Dingzhou. In the Tang Dynasty, Dingzhou set up the Yiwu Army, and Song Dynasty avoided Taizong and Zhao Guangyi, and changed Yiwu to Dingwu, so the stone inscription was called "Dingwu Benlan Pavilion". "Dingwu Ben Lanting" has another 5 characters which are different from the original. Since the Song Dynasty, "Lanting Preface" has many engraved editions, and most of the commentators use Ou Diding Wuben as the authentic.
The "Lanting Preface" handed down in the later generations has been lingered after Tang, and the pen and ink have gradually disappeared, but to a certain extent, it can also reflect the style and appearance of Wang Xizhi's calligraphy, which is one of the models for studying calligraphy. Since the Song Dynasty, "Dingwu Benranting" has been particularly emphasized. Yuan Zhao Mengfu had post-posted the post in Dingwu, thinking: "The authors of the ancient and modern languages regard the right army as the best, and the critics of the right army regard the best posts as the best.
Song Tuoban's "Dingwu Benranting" from the Forbidden City is well developed, with 4 sections including Pan Simu, 1 section of Wang Shouguan, and 35 prints including "Lu Zhai Collection", "Pan Simu" and "Lianchao".
Qing Cheng Chengze's "Gengzi's Sales of Summer", Zhu Yizun's "End of Jinshi Characters" and Li Guangying's "Examination of the Golden Stones in the Miaozhai Collection" are recorded.
Dingwulan Pavilion Preface Song Tuoben [1] [2] [3] [4] [5] [6] [7] Dingwulan Pavilion Preface Wu Bing Old Tibetan Version [1] [2] [3] [4] [5] [6]
Lan Ting Ji (?)
20 pages "Lan Ting Ji", Tang Taizong Zhenguan two years (628) in February, Ouyang asked for regular script.
Ouyang Xun's regular script "Lanting Ji", the strokes are very beautiful, the body is extremely rigorous, and the momentum is elegant and magnificent. It is a pearl in the treasure house of European calligraphy.
The original stone of "Lanting Ji" is long and rare. In 1984, the "Chinese Calligraphy Dictionary" jointly published by Hong Kong Book Publishing and Guangdong People's Publishing House considered that this post was "the book of descendants' collection of European books." In 1987, Mr. Tian Yunzhang, a well-known European book master, obtained the original view in Shandong Province, and after many researches and examinations, he had doubts about the "book" of the Dictionary. Tian thought that "Lanting Ji" should belong to Ouyang Xun's handwriting, and put forward three points for discussion.
"Lan Ting Ji" should be a collection of books. It has to be determined. There is a future, but the superb calligraphy art is depressing. It is a rare and good textbook for those who are studying in Europe.
Businessmen reading posts
Bu Shang reading post (click to enlarge)
"Bushang Reading Post", Tang, Ouyang Enquiry, paper, album, 25.7cm in length, 16.5cm in width, regular script, 53 characters in 6 lines.
Explanation:
"Bu Shang completed his studies and saw Confucius. Confucius asked him what he meant by the book. Shang said that the book's discussions are as clear as the sun and the moon, and Lili is like the wrong thing for Shenchen. To the heart, Fu dare to forget "(the word in the box is disabled)
This text appeared in "Shangshu · Biography", and was included in "Art and Literature Classes" Volume 55, "Essay Book · Reading". Compared with historical books, some words in the post are different.
Bu Shang is a disciple of Confucius, with the character Xia, and the defender in the Spring and Autumn Period. He is a teacher and Confucius.
This post is a double-hook profile of the Tang Dynasty, fresh and moist. From the point of view of calligraphy, the style is rigorous without losing its vivid charm, and the starting and ending points of the stippling are reinforced with square cuts. In his later years, Ouyang Xun integrated the characteristics of the Beibei pen into the style of the two kings, and being compatible with the North and South is the uniqueness of the "European style".
This post was hidden in Song Huizong Xuanhe Imperial Palace in the Song Dynasty, and belonged to Anqi in the Qing Dynasty. It later became the treasure of Emperor Qianlong's Imperial Palace.
Song Zhoumi's "Yunyan Passes Through the Eyes", Qingying Yongyu's "Ancient Examinations of Shigutang Paintings and Calligraphy", Wu Sheng's "Grand View Record", and Anqi's "Mo Yuanhui View" and other books.
Zhang Hantie
"Han Zhang", paper, 25.1 cm in length, 31.7 cm in width, running, 11 lines of 98 characters. Beijing Palace Museum Collection (click to enlarge)
"Zhang Han Tie" is also called Ji Ying Tie, which tells the story of Zhang Han. Explanation:
"Zhang Han's character Ji Ying, who is from Wu County. He has the talents and is a good man, but he is free-lance, and his name is Jiangdong infantry. Later, Gu Rong of the same county said: The world is in trouble, and disaster is endless. Famous people, it is difficult to retreat. I have no hope of being in the mountains and mountains. Zishan uses the front guard and the wisdom to consider the back. Rong Zhiqi (the lack of the word "hand") is astonished. Wu Zhong's Amaranth Sea Bass, then returned home by driving. "(The word in the box is broken, and it is supplemented according to" Jin Shu ")
This text is found in books such as Jin Shu Wen Yuan and Shi Shuo Xin Yu, but they are all excerpts. Zhang Han was born in Wu County (now Suzhou) in the Western Jin Dynasty. He was talented, unrestrained and indulgent. At that time, he was described as one of the "Seven Sages of the Bamboo Forest" by the Three Kingdoms of Wei Dynasty (Ruan Yu was an infantry school). Wei, known as Ruan Infantry), called him "Jiangdong Infantry." He followed He Xunzhi to Luoyang and became the official of King Qi, but he was not happy. He always missed the hometown of Jiangnan, so he thought of retreating from the mountains and forests, away from the chaos, and eventually abandoned the government and returned to his hometown.
"Zhang Han Tie" originally belonged to "History Post" and was one of the four ink marks of the famous calligrapher Ouyang in the Tang Dynasty. It is very precious. The calligraphy of this post is characterized by slender fonts, firm and upright pen powers, steep styles, and exposed spirits. There is a postscript of the thin gold book on the opposite side, which was written by Song Huizong and Zhao Xun in appreciation. He commented on this post: "Strong writing style, sharp and long drive", and pointed out that Ouyang Xun "strengthened his strength in his later years, and there was a law-enforcement battle, a lonely peak rose, and it was cut on all sides." John Post and other European books are extremely important.
This picture is inscribed with the title of the postscript of Song Gaozong, Zhao Gou, and Qing Dynasty collector Anqi. It can be seen that this post was hidden in the Shaoxing Inner Mansion of the Southern Song Dynasty, collected by Anqi in the Qing Dynasty, and later entered the Inner Mansion of Qianlong. The original Hongli inscription on the left of the post was scraped away.
This post is a filling book for Tang people.
Ming Xuan Yongyu's "The Examination of Paintings and Calligraphy of the Ancient Church", recorded by Wu Sheng of the Qing Dynasty, "Grand View Record", and An Qi's "Mo Yuan Hui View".
Dream Post
The full name is "The Diary of Zhong Ni Meng". This post has no print, 25.5 × 33.6CM on paper, seventy-eight characters, and the calligraphy is vigorous and ancient. Once in the collection of the Southern Song Dynasty, there are two imprints of Zhu Wen's imprints of the "Imperial Manuscripts" of the Southern Song Dynasty, and the imprints of Zhu Shaoxing and "Xing". Alas, Qing Gao Shiqi, Qing Neifu and so on. It is now in the Liaoning Provincial Museum.
This post uses light but not thick, and it is a bald pen disease book, freely turning, no mistakes, no stagnation, the upper and lower veins are clear, the structure is solid, the pen is calm, the charm is smooth, the body is square Round, charming and firm, written by Ouyang Xun in his later years, he is pure and rare, and truly a rare treasure.
Fortune:
Yuan Guo Tianxi: Beginning to learn more about Wang Yi Shao Shu, and then gradually changed his body, his writing strength is dangerous, and it is a momentary moment, and people have their own size and salt. His "Dream of Dreams" engraved with a fascinating engraving, which turned like a halberd into the back of the arsenal, turned his back, and gained the popularity of the second king. (Shulin Zaojian Volume 8)
Ming and Yu celebrations: Prince Tang Yinqing, Guanglu Prince Prince rate more, Bohai County Ouyang Xun, letter letter, the book "Zhong Nimeng Diaotie" 78 characters, before and after the two small seals of the Imperial Palace, followed by Shaoxing small seal, There are many ancient seals in the seams, and one lucky word under the post. Whose name is unknown, Geng Yin purchased the Yuesheng Books of the Yangzhongzhai Family in October, and also entered Jia Qiuwen Mansion. Beginning a lesson with Wang Yi Shaoshu, and then gradually changed his body, the pen power is dangerous, for a moment, people have their own size, salty as a model. "Calligraphy Garden" cloud: Letters in this line, continually ups and downs, condensing towering, cutting the tenderness of Xiao Shui, pulling the sacrifice of the muscles, compared with the potential, out of contentment. This powerful and engraving calendar, like a halberd of the arsenal, turned to the back, winning the atmosphere of the second king, the first book of the European bank. ("Calligraphy and Painting Postscript")
Ming Yang Shiqi: Wei Xu's "Inkwell" Ouyang Zhengxing's book is in top grade. There are eight tips for teaching in Europe. If you look at ancient books, you will see the ink, but you will see the beauty. Compared with the seventy-eight words in "Dream of Dreams", there is no other real world like He Shibao, and it tastes like Song Yufu. The inscription on Zhao Wenmin's examination is a thirty-seven or eight-year-old pen, so it is unique later.
Wang Hongxu of the Qing Dynasty: The detailed review is the intention of writing with a pen, which is similar to "Lanting", which is suitable for Tang commentary.
Please paging to enjoy the full volume scroll head [1] [2] [3] [4] [5] [6] [7] [8] 6] [7] [8] [9] (Coca Scan)
Attachment: Attachment: Ouyang Tong

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